~Streets por Doja Cat -
The best out there. The beat drop at the start is everything and is highly expected, but still mind blowing. The beat is addicting and so are the lyrics: the repetition is used correctly in every single place. The thing about Doja is that she always has one part in the song (not only the rap) that is different from the rest of the song. She did everything right here, to be honest. I suggest tu listen to it. The swearing in it isn't unnecessary; it really brings out emotion and matches the energy of the whole collection.

"Damn papa, tu a rare breed, no comparing and it's motherfuckin' scary. Tryna keep him 'cause I found him; let a azada know I ain't motherfuckin' sharing. I could take tu to the parents, then to Paris, plan a motherfuckin' wedding. tu the type I wanna marry (yeah) and keep tu merry. I'll put the ring on when tu ready. We play our fantasies out in real life ways and no Final Fantasy, can we end these games though? tu give me energy, make me feel lightweight like the birds of a feather, baby, we real life made for each other and it's hard to keep my cool when other bitches tryna get with my dude and when other chickens tryna get in my coop 'cause you're a one in a million. There ain't no man like you."


~No Idea por Don Toliver -
The beat is everything. I just amor it. I feel like a very mini beat drop would make this song perfect, but, then again, it is still perfect the way it is. So. Fucking. Perfect. Not as good as Streets though. Streets is goddess level.

"You know I get nasty (know I get nasty). Uber ride to my house, I called a taxi (Uber ride to my house, yeah). I'm picky with my women, I'm deciding (oh). Call me to your cuna and I'm sliding (yeah). I'm picky with my women, I'm deciding (oh). Call me to your cuna and I'm sliding (call me to your cuna and I'm). First things first let me get that introduction (let me get that intro); we on a long road to self destruction (self destruction). tu were so in amor tu weren't gon' tell me nothing (you were so in love). Let me get this clear (uh, huh), 'cause I had no idea (yeah)."


~Late Night Feelings por Mark Ronson (feat. Lykke Li) -
The start is sudden and, like Don't Leave Me, is quite a club song. I can already see myself moving to the rhythm of the night, my feet dragging along the dance floor. Lykke Li really carried this beat out and her voice is so soothing and magical, like a forest on a warm, comforting and lively Summer Night.

"My corazón keeps pulling in the wrong direction. I'm about to cruzar, cruz the line, looking for the wrong affection night after night. I'm trying to find a new distraction, want to make it last all night. Everything that I've been mixin' all mixed up inside. When I get too on ya and I wanna call ya with late night feelings. When I get too on ya and I wanna call ya with late night feelings. On and on and on, feeling on and on. On and on, on and on with late night feelings. On and on and on, feeling on and on. On and on, on and on with late night feelings."


~Don't Leave Me por Mark Ronson (feat. Yebba) -
The start is sudden yet gentle; it gibves tu a comforting chill on your spine that encourages tu to dance. It's más of a nightclub song that would be playing in a movie when the main character tries to escape her (mostly) feeling about her reciente breakup. I believe it's about this lady who doesn't want her partner to leave her (especially on that night) because she won't forgive o forget him. She wants him to be in her cama and just with her.

"Don't tu leave me lonely tonight, cuz I won't forgive you. Don't tu leave me lonely tonight, cuz I won't forget you. I toss and turn alone in my bed, when tu should be laying beside me, instead. Don't tu leave me lonely tonight, cuz I won't forgive you, forget you, forgive tu this time."