He worked at the local bookstore 2 blocks from his house. A simple job, not very exciting, but it put comida on the mesa, tabla an paid the bills and that's all that mattered to Michael. As he entered the store he was greeted por a co worker named Erica. Erica was a high school student who worked part time at the store. She was fairly tall with blond hair and dark blue eyes. She was very friendly and personable, always had a smile on her face. Though they weren't terribly close, Michael and Erica enjoyed each other's company and often talked during their break.
"Good morning Michael!" Erica smiled cheerfully. Michael smiled half-heartedly at her. She was surprised por this, he was usually happier in the morning. Erica gently touched his arm. "Hey, what's the matter?" she asked. He shrugged his shoulders at her. "Just one of those days I guess." "Oh, I'm sorry." She sympathized with him. "Well, just keep your head up, tu never know when something's gonna walk in that door and change your life." Michael looked at Erica as if she was crazy. "Yeah, that'll be the day." he mumbled under his breath as he walked away. He should've heeded Erica's words as a warning.
A few hours went por bringing very few customers to the store. por now, Erica had left for her lunch break, leaving Michael alone. His eyes wandered throughout the empty store. He leaned on the counter and put his head in his hands. So many thoughts ran through his mind; he could fell tears welling up in his eyes. Suddenly, the campana over the front door rang. He didn't look up right away, thinking it was just Erica. But when he didn't hear her voice, that's when he looked up. He saw a raven-haired, Latina beauty standing por the door. Michael's jaw dropped at the sight of her. She was the most exquisitely beautiful woman he'd ever seen. She was 5'11 with a 2 ft long river of jet black hair that cascaded behind her as she turned. She kept her sunglasses on, hiding her eyes, but she had a perfectly angular face and full red lips. She had the physique of a Greek goddess and the wardrobe of a millionaire. She kept Michael fixated on her the entire time she was there. Neither one of them dicho anything. She kept her hands in her pockets and her sunglasses on the entire time. Michael never broke his stare from her once. Even as she walked up to the counter, he couldn't take his eyes off her. Michael smiled at her and looked away for a brief moment when he heard something click. He turned back and saw something protruding from her pocket; a gun.
"Good morning Michael!" Erica smiled cheerfully. Michael smiled half-heartedly at her. She was surprised por this, he was usually happier in the morning. Erica gently touched his arm. "Hey, what's the matter?" she asked. He shrugged his shoulders at her. "Just one of those days I guess." "Oh, I'm sorry." She sympathized with him. "Well, just keep your head up, tu never know when something's gonna walk in that door and change your life." Michael looked at Erica as if she was crazy. "Yeah, that'll be the day." he mumbled under his breath as he walked away. He should've heeded Erica's words as a warning.
A few hours went por bringing very few customers to the store. por now, Erica had left for her lunch break, leaving Michael alone. His eyes wandered throughout the empty store. He leaned on the counter and put his head in his hands. So many thoughts ran through his mind; he could fell tears welling up in his eyes. Suddenly, the campana over the front door rang. He didn't look up right away, thinking it was just Erica. But when he didn't hear her voice, that's when he looked up. He saw a raven-haired, Latina beauty standing por the door. Michael's jaw dropped at the sight of her. She was the most exquisitely beautiful woman he'd ever seen. She was 5'11 with a 2 ft long river of jet black hair that cascaded behind her as she turned. She kept her sunglasses on, hiding her eyes, but she had a perfectly angular face and full red lips. She had the physique of a Greek goddess and the wardrobe of a millionaire. She kept Michael fixated on her the entire time she was there. Neither one of them dicho anything. She kept her hands in her pockets and her sunglasses on the entire time. Michael never broke his stare from her once. Even as she walked up to the counter, he couldn't take his eyes off her. Michael smiled at her and looked away for a brief moment when he heard something click. He turned back and saw something protruding from her pocket; a gun.
tu know i think Michael really wanted to change the world. tu can tell because of his songs like man in the mirror,heal the heal world,earth song,black o white,and they don't care about us. and it is so sad that he pasted and when i looked at the video they don't care about us i really started to cry becuase is was so happy to see all the people that loved him and saw him. i mean he was and still the king of pop. i mean Michael had kids,family, and fans and Michael song tu are not alone in so meaningful atfer his death. :( I amor tu MICHAEL!!!
bajo note, treble, stereo control, how low tu go
Just enough to make your juices flow
Press play, don't stop, rotate, too hot
tu feel I'm real
I'm everything tu need, so tell me what's the deal
Chorus
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Be careful what tu say don't overload
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Be careful what tu say don't overload
3D, high speed, feedback, Dolby
Release two o three, when I reach I can go 'till I hit my peak
Compact steelo, chico, D-Lo, highpost lady
Shorty really wanna be there for me
Chorus
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Be careful what tu say don't overload
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Just enough to make your juices flow
Press play, don't stop, rotate, too hot
tu feel I'm real
I'm everything tu need, so tell me what's the deal
Chorus
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Be careful what tu say don't overload
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Be careful what tu say don't overload
3D, high speed, feedback, Dolby
Release two o three, when I reach I can go 'till I hit my peak
Compact steelo, chico, D-Lo, highpost lady
Shorty really wanna be there for me
Chorus
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Be careful what tu say don't overload
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
There were no albums bigger than Thriller and Bad, and Jackson seemed to be just entering his prime as an artist.
In hindsight, considering the astonishing heights he hit in the 1980s, maybe there was nowhere to go but down. On parte superior, arriba of the world profeessionally, his persional affairs increasingly came under the microscope and seemed to gradually bleed the life and vibrancy out of the mercurial artist.
The new decade sarted off with Jackson in the studio, recording his new album, Dangerous. Jackson had recently signed a 15-years, six-record deal with sony, and if the singer was able to deliver sales numbers comparable to what he publicado in the 1980s, the deal was estimated to have an earing power of up to $1 billion.
Dangerous got off to a great start-it debuted at number one and quickly outpaced the sales of Bad.
Here come ol' flat parte superior, arriba
He come groovin' up slowly
He's got Joo Joo eyeball
He one holy roller
He got hair down to his knees
Got to be a joker he just do what he please
He wear no shoeshine
He's got toe mermelada football
He's got monkey finger
He shoot Coca-Cola
He say "I know you, tu know me"
One thing I can tell tu is tu got to be free
Come together
right now
over me
He bag production
He's got walrus gum-boot
He's got Ono sideboard
He one spinal galleta
He got feet down through his knees
Hold tu in his sillón
tu can feel his disease
Come together
right now
over me
He roller coaster
He's got early warning
He's got muddy water
He one Mojo filter
He say "One and one and one is three"
Got to be good looking
'cause he's so hard to see
Come together
right now
over me
He come groovin' up slowly
He's got Joo Joo eyeball
He one holy roller
He got hair down to his knees
Got to be a joker he just do what he please
He wear no shoeshine
He's got toe mermelada football
He's got monkey finger
He shoot Coca-Cola
He say "I know you, tu know me"
One thing I can tell tu is tu got to be free
Come together
right now
over me
He bag production
He's got walrus gum-boot
He's got Ono sideboard
He one spinal galleta
He got feet down through his knees
Hold tu in his sillón
tu can feel his disease
Come together
right now
over me
He roller coaster
He's got early warning
He's got muddy water
He one Mojo filter
He say "One and one and one is three"
Got to be good looking
'cause he's so hard to see
Come together
right now
over me
There comes a time when we heed a certain call
When the world must come together as one
There are people dying
And it's time to lend a hand to life
The greatest gift of all
We can't go on pretending día por day
That someone, somewhere will soon make a change
We are all a part of God's great big family
And the truth, tu know,
amor is all we need
We are the world, we are the children
We are the ones who make a brighter day
So let's start giving
There's a choice we're making
We're saving our own lives
It's true we'll make a better day
Just tu and me
Send them your corazón so they'll know that someone cares
And their lives will be stronger and free
As God has shown us por turning stones to bread
So we all must lend a helping hand
When you're down and out, there seems no hope at all
But if tu just believe there's no way we can fall
Let us realize that a change can only come
When we stand together as one
When the world must come together as one
There are people dying
And it's time to lend a hand to life
The greatest gift of all
We can't go on pretending día por day
That someone, somewhere will soon make a change
We are all a part of God's great big family
And the truth, tu know,
amor is all we need
We are the world, we are the children
We are the ones who make a brighter day
So let's start giving
There's a choice we're making
We're saving our own lives
It's true we'll make a better day
Just tu and me
Send them your corazón so they'll know that someone cares
And their lives will be stronger and free
As God has shown us por turning stones to bread
So we all must lend a helping hand
When you're down and out, there seems no hope at all
But if tu just believe there's no way we can fall
Let us realize that a change can only come
When we stand together as one
Sadness had been
Close as my siguiente of kin
Then happy came one día
Chased my blues away
My life began when happy smiled
Sweet like dulces to a child
Stay here and amor me just a while
Let sadness see what happy does
Let happy be where sadness was
Happy, that's tu
tu made my life brand new
lost as a little cordero was I
Till tu came in
My life began when happy smiled
Sweet like dulces to a child
Stay here and amor me just a while
Let sadness see what happy does
Let happy be there where sadness was
(Till now)
Where have I been
What lifetime was I in
Suspended between time and el espacio
Lonely until happy came smiling up at me
Sadness had no choice but to flee
I dicho a prayer so silently
Let sadness see what happy does
Let happy be where sadness was
Till now
Happy
Yeah, yeah, happy
Close as my siguiente of kin
Then happy came one día
Chased my blues away
My life began when happy smiled
Sweet like dulces to a child
Stay here and amor me just a while
Let sadness see what happy does
Let happy be where sadness was
Happy, that's tu
tu made my life brand new
lost as a little cordero was I
Till tu came in
My life began when happy smiled
Sweet like dulces to a child
Stay here and amor me just a while
Let sadness see what happy does
Let happy be there where sadness was
(Till now)
Where have I been
What lifetime was I in
Suspended between time and el espacio
Lonely until happy came smiling up at me
Sadness had no choice but to flee
I dicho a prayer so silently
Let sadness see what happy does
Let happy be where sadness was
Till now
Happy
Yeah, yeah, happy
Girlfriend
I'm gonna tell your boyfriend (yeah)
Tell him (woo hoo)
Exactly what we're doin' (yeah)
Tell him what tu do to me
Late at night when the wind is free
Girlfriend
I'm gonna mostrar your boyfriend (yeah)
mostrar him (woo hoo)
The letters I've been savin' (yeah)
mostrar him how tu feel inside
An' how amor could not be denied (oh no)
We're gonna have to tell him
You'll only be a girlfriend of mine
Do-doot-do, etc.
Girlfriend
tu better tell your boyfriend (yeah)
Tell him (woo hoo)
Exactly what we're doin' (yeah)
Tell him what he needs to know
o he may never let tu go
Yeah we're gonna have to tell him
You'll only be a girlfriend of mine
Do-doot-do ...... ad lib to fade
I'm gonna tell your boyfriend (yeah)
Tell him (woo hoo)
Exactly what we're doin' (yeah)
Tell him what tu do to me
Late at night when the wind is free
Girlfriend
I'm gonna mostrar your boyfriend (yeah)
mostrar him (woo hoo)
The letters I've been savin' (yeah)
mostrar him how tu feel inside
An' how amor could not be denied (oh no)
We're gonna have to tell him
You'll only be a girlfriend of mine
Do-doot-do, etc.
Girlfriend
tu better tell your boyfriend (yeah)
Tell him (woo hoo)
Exactly what we're doin' (yeah)
Tell him what he needs to know
o he may never let tu go
Yeah we're gonna have to tell him
You'll only be a girlfriend of mine
Do-doot-do ...... ad lib to fade