The Making Of Paramore's "Ain't It Fun" | GRAMMY.com 

Hayley Williams and Taylor York recall the creative process for their first GRAMMY-winning song, including an unexpected emotional element

Paramore's Jeremy Davis, Hayley Williams and Taylor York

(The Making Of GRAMMY-Winning Recordings … series presents firsthand accounts of the creative process behind some of music\'s biggest recordings. 

The series\' current installments present in-depth insight and details about recordings that won 57th GRAMMY Awards.)

Taylor York: This song was a complete surprise. I came up with a lot of ideas that I thought sounded like what we were supposed to write — big rock guitar riffs that would have fit on our earlier records. As I played each idea for Hayley she\'d say, "Yeah, that\'s cool but what else do you have?" I went through everything I had until I got to the last idea — one that I wasn\'t planning on showing her because I thought she\'d hate it. But it was all I had left. She got excited about it and from there the song just built organically and naturally. It all came together in a sound and a style that we had never really explored. The fact that "Ain\'t It Fun" came together so easily and worked so well really was the turning point for the writing process of the whole record, and it helped us fall in love with the writing and recording process at a new level. The music was something that I had felt connected to, but I didn\'t think it was Paramore. It turned out that whatever we feel connected to absolutely is Paramore.

Hayley Williams: I remember walking into Taylor\'s hotel room one of the first days [after] our move to L.A. to make our next album. He played that little marimba part on a loop. I thought it was so cool — I went straight back to my room to get pens and a notebook. By the time I got there I already had a melody, and by the time I got back to Taylor\'s room I already had the first few lines of lyrics.

We started demoing vocal parts in Taylor\'s room and when we got to the bridge we felt like we needed to hold on a root note and let the tension build with a lot of voices. Taylor and I stacked our voices about 10 different times and it sounded unbelievable — but not in a good way. We decided that we needed really good singers to come in and get it right. A couple of months later we\'re recording at Sunset Sound and a local gospel choir comes in, and by the second practice run-through it was perfect. I welled up with tears because I\'ve loved gospel music all my life and to hear a choir singing our parts — belting out that harmony — it just felt insane to be in a band that could have that kind of amazing moment as part of our song. All of a sudden we felt big, like we had really made it. Yes, we\'ve got a gospel choir on our record. This is really happening.

(At the 57th GRAMMY Awards, Paramore\'s Hayley Williams and Taylor York won Best Rock Song for "Ain\'t It Fun," marking the first GRAMMY wins of their respective careers. Paramore are scheduled to kick off a U.S. theater tour on April 27 in Augusta, Ga.)

(Chuck Crisafulli is an L.A.-based journalist and author whose most recent works include

Your 57th GRAMMY Winners Social Roundup

2014 MusiCares Person Of The Year Red Carpet Highlights

These are the most read, shared and discussed articles on GRAMMY.com right now.

3. Jazmine Sullivan Gets Real On Reality Show

4. GRAMMY Winners Featured On Carole King MusiCares Tribute Blu-ray